Thelma Louise Carter
I just received the news by email. It didn't contain much information, just a little note to let me know that Thelma Louise Carter, teacher of Shakespeare and Life, passed away.
Thelma Carter. If you had a class with Thelma at the American Academy of Dramatic Arts, you were special. Just like if you got picked for Hugh's 2nd year acting class. Then you were on the fast track. We all had Thelma in second year for Shakespeare, of course. I can't imagine anyone will ever teach it with the excitement, passion, skill and patience - not to mention a generous dose of "you sound like a bad Olivier impersonation" or "well, that was boring". Thelma Carter who took Shakespeare out of modern theatre and returned it to the past where it belonged and made purists out of thousands of kids - I don't know a single one of us who didn't come out of that class without a pure, vibrant obsession with doing Shakespeare - hell, with advocating Shakespeare. I'm still ready to share the whole thing lock, stock and scansion with anyone who might possibly even listen (unfortunately, those people were scared away years ago). It was because of Thelma Louise Carter that I was able to play Shakespeare in SoHo and play my heart out one evening to an audience of one. But even more importantly, it was because of Thelma Carter that I stayed in New York as long as I did, and started getting the auditions I deserved.
Thelma Carter didn't just believe in acting as a profession. She believed in acting as a reverse therapy. In class, it wasn't uncommon to hear us say "I'm confused" and before we could get much farther, Thelma would say to us "Confusion is a choice." Of course, being twenty somethings, we would resist this idea whole hog. But after a few weeks of listening to who Thelma was and seeing how she lived her life and being touched by her inner warmth and strength, we realized that it was true: in life (just like on stage or in business), confusion is a choice. If you do not understand, then you ask and ask and ask again until you do. If you do not understand and you continue to not understand and you do nothing or very little to become Un-confused, then you have made the choice to be confused. She also used to tell us that boredom is a choice. And, if you think about it (unless you're twelve and just can't admit it), you'll see just how right she is. Sometimes it's good to be bored. Then we are forced to take some time to notice our surroundings, our personal agendas, our states of being.
Validation was the one that won me over - and the one that is giving me the hardest time right now. Thelma used to say "all characters like all people seek validation". She also taught me that "villains are the heros of their own stories". I loved playing the villainess. I learned from Thelma Carter that the best villains are the ones you hate yourself for liking. Truly good villains are charming and likeable. She had a speech she gave about how, if she were casting MacBeth (hey, I'm not in a theatre, I can actually say the name), the three witches would be little old ladies wrapped in pink wooly shawls who looked like the old ladies living next door that gave out iced sugar cookies each Halloween. And it's true. When true evil comes from little old ladies in Miss Marple guise, it really is horrifying. That's how serial killers get us, right?
Thelma Carter was an exceptional person who lived an exceptional life. She embodied all that was good about humanity and acting in a completely accessible and truly gracious persona. If I live to be 100, I will never be half the woman and humanitarian that Thelma Carter was.
Which brings us to the selfish portion of our program. A memorial service will be held at one of the theatres in the school in a few weeks. More than likely I will not be able to attend, for many reasons. And I'll probably be grateful for that. I don't know how I could walk into that theatre full of alumni, many of whom I will know and who will know me, and keep my head up. These are people who saw me bloom and flourish in my talents and my craft and knew that I was just scratching the surface. I had everything going for me, as well as the business understanding and ego to back it all up. But, for a while, I lost the flame and with that flame, I lost my life's direction. There is only one thing (professionally speaking) that I have ever wanted to do in my life. I've tried on other coats and hats, but what's the point when you're as good at something a I am at theatre? And I can do it all: musicals, drama (Thelma Carter's Playing for Time), comedy, cabaret, commedia d'el arte, Greek Tragedy (Thelma Carter's Trojan Women), Restoration Comedy...we got a good education at AADA and I was fortunate enough to be adaptable. Which is why I made the elite Third Year Rep Company at the School. I was starting to do well in New York. I had made a lot of friends (surprise!) in the business, had done some voice overs and infomercials, was an extra on a soap, and began receiving calls to significant auditions. All I had to do was stick it out. But, as I said, I lost my flame, my passion. And now, here I am in Maine of all places, which doesn't have the largest professional theatre community and a great deal of that is summer based and an even greater deal of that casts out of New York. There are fewer and fewer roles for "mothers" and character actresses. Not to mention that I just don't have the connections or the network, the materials (perhaps even the chops, anymore), the child care, the support or a husband who actually understands the least little thing about how any of it works. The auditions. The call backs. The networking. The rehearsal and performance schedules. The need for flexibility. There's a reason so many professional actors retire after they have children and even more just never breed at all.
No, I can't walk into a theatre full of working professionals and admit that I'm doing absolutely nothing right now. And sure, eventually I'll get myself involved in a theatre here or work with the youth theatre that produces one or two shows a year. But unless you're a theatre professional who has spent years working with other theatre professionals, you really don't understand how not the same it is. The best I can liken it to is: say you've won five gold medals swimming in the Olympics and then the rest of your life you do nothing more than race your siblings in your parents' pool. Not that it isn't fun and not that it isn't swimming and even racing...but it's not the same. There's no real challenge and there's no real...well, anything. Sometimes it's hard to content yourself with that. Especially when it had always been your intention to race and return to the Olympics as long as you were able.
Anyway, God Bless Thelma Louise Carter who changed my life forever on one grey afternoon when she chose "I've Got Life" from Hair as my theme song. God Bless Her.
5 Comments:
Oh gosh, you'd love it if you could handle the baby thing. The lines, the lights, the drama! I helped put on a dance show (grades 5-12) two years ago and built some "shin busters," which are low floodlights from the sides (cool effect). Well, the wife was the booster president so I had to help all I could, right? Man, to watch those kids pull off a show like that gave me a big lump in my throat. Now remember some of what Thelma did and said, girl. She'd like that more than anything else, I'm sure. ~sam
Fear no more the heat o' the sun
Nor the furious winters' rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages
Golden lads and girls all must,
As chimney-sweepers, come to dust.
Thelma Carter was my teacher at AADA in 1980, 81. I took Acting Styles and Scene Study with her. We did Comedia del Arte. We did Shakespeare. We did Medea and the Rimers of Eldritch with Thelma. What a woman! What a Director! What a Teacher. What a loss to the Theatre. The last time I saw Thelma I was at her house for a Thanksgiving get together with AADA classmates. It had to have been in the 90s. Two of my fondest memories of Thelma's teaching was during a rehearsal of Rimers of Eldrich. I was Skelly Manner and the girl playing Patsy had a line, "Oh, my God! It's Skelly. I just saw Skelly in my window." Thelma said to her, "Patsy, I don't believe you. You aren't scared." Thelma then gave us a few minutes break, but she summoned me. She said, "Skelly, I'm going to ask you to do something to Patsy. Will you follow my direction?" I said of course I would. We reconvened on stage and Thelma said to me, "Skelly, I want you to grab patsy, pull up her dress and pull her panties down." As I went toward Patsy, Patsy was just hysterical, screaming and shaking with fear. Thelma stopped me at the moment I reached Patsy. I often wonder how far Thelma would have made that go. We were doing Antigone. Creon has decreed Antigone is to be buried; immured. Thelma was unhappy with Antigone's response to her death sentence. She had the two guards (a classmate and I) drag Antigone to her death. Thelma made us seize her by the wrists and tell her she was about to be executed. The girl screamed and cried and tried to escape. Thelma had a way of getting an actor CONNECTED. All these years I've wondered how she is. Today I went on Google and I found out. May she rest in peace.
I was in that production of Rimers of Eldridge with you Sal. I played Robert. So sorry to hear about Thelma. She was amazing.
I was in that production of Rimers of Eldridge with you Sal. I played Robert. I remember Aloma being in it too. So sorry to hear about Thelma. She was amazing.
Post a Comment
<< Home